Friday, March 13, 2026

"The Other Place" Reminds Us Why We Tell Stories

    When I went to go see the play The Other Place at The Shed in New York City I must admit that I was only really going to see Emma D'arcy act in something other than House of the Dragon. But, like many others, I was surprised by what I saw. It was something that, despite the awareness of the trigger warnings like sexual assault and suicide, was darker and more impactful than I could have ever anticipated. I honestly don't know how to fully encapsulate what I saw and how it makes me feel, even now, but I will do my best. Spoilers incoming.

    Our story, based on the greek tragedy Antigone, starts out with two sisters reuniting ten years after their father committed suicide. Their uncle Chris plans to scatter his brother's ashes in order to move on, but Annie, the oldest of the sisters, insists that the ashes stay in the house as she is not ready let go just yet. As arguments ensue, it becomes clear that Annie has long struggled with severe mental health issues, with accusations being thrown around that she must be off her meds to be thinking this way. However, when the uncle leaves to go talk to his new wife about all of this, Annie sneaks over to the urn holding her father's ashes and proceeds to empty them into a plastic bag and hide the bag in her pants. After her uncle leaves to scatter the ashes, as he is unaware they are missing, Annie proceeds to go through her father's old things that Chris was just planning on throwing away, going upstairs to sleep with them so as to rest from her long journey. 

    When the uncle comes home, furious because he knows that Annie has taken the ashes, he insists she come downstairs at once. When she comes downstairs in her father's clothes and calmly sits down at the table, asking how the scattering went, Chris proceeds to physically attack Annie, even reaching into her trousers looking for the ashes. Leni, his stepchild, puts an end to it when they admit they saw the ashes sitting upstairs when they went to wake Annie up. For what she did, Chris bans her from the house. While everyone protests, Annie proceeds to set up an old tent of her father's outside so she will have somewhere to sleep. After more arguments over how unreasonable Chris is being and to show a little empathy to someone who is so clearly grieving the loss of their father, he decides to take the ashes and go for a ride. By the time Annie makes it back inside he is gone and she is distraught at losing her father all over again. It is also revealed earlier on that she was the one that found him hanging from a tree in their backyard. That even when he was alive, she helped him with his extensive mental health problems as well. 

    Worrying for her sister, Issy, the younger of the two, goes outside to check on Annie. But when she can't find her, she calls the emergency services, fearing the worst. When Annie appears behind her she screams, startled, and hangs up the phone with a sigh of relief. They sit down and talk, mostly making sure Annie is okay. Though it is rather clear that she is not, the subject curtailed as Annie hands Issy a notebook listing little memories of their father from when they were young. Issy thanks her for the gift and they hug. Just as they pull apart, Chris returns home, ashes in hand. He orders Issy to go upstairs and she does. 

    The ensuing conversation between Annie and Chris reveals a dark truth that both of them have been trying to hide for many years. They have an incestuous relationship with one another, which is revealed to Chris' wife when she catches them kissing. When Leni comes down to see what all the yelling is about, Erica attempts to hide the truth from her child, insisting that everything is fine. But after Annie tells Issy that she's okay with them scattering the ashes, Erica implores Issy to see the truth that has been sitting in front their eyes the entire time. Issy grows angry and calls Annie selfish for always making everything about her and never considering how anyone else must be feeling. Issy leaves to scatter the ashes. Annie runs after her with tears in her eyes telling Issy she loves her. But once she is gone, she leaves to go outside to her tent stating "I can't feel him anymore" in reference to her father's presence finally being gone from this house. Leni goes to check on Annie only to come back with blood on his hands. Issy returns and everyone but Chris runs to the tent. Chris, instead, turns to the audience yelling "Don't look at me" over and over until the music makes it impossible to hear him.

     Having had my own experiences with grief, mental illness, and sexual assault this story reached me on a very deep and personal level. After the actors did their final bow, I felt an undeniable change in myself. I was not the same person I was when I had walked into that theater. The story forced me to think about my own experiences with these subjects and the importance of addressing them as they are often topics that people, understandably, avoid. 

    What forced me to think about such things wasn't just the sad, emotional acting. It was also the humor scattered throughout the play, the overwhelmingly loud and jarring sounds, the spirituality of feeling someone's presence even after they are gone, the symbolism of the ashes being passed back and forth between Annie and Chris like an object when they both view them as a person. All of these things and more is exactly what I love about this story. Everything feels real. It gives me hope for the future of theatre and storytelling in general. We must continue to tell stories like these to remind people they are not alone. 

    

    







Monday, January 12, 2026

O'Dessa-An Underrated Masterpiece

    When I sat down to watch this film the other night with a friend all I knew was that it was about a farm girl, played by Sadie Sink (Stranger Things), who travels to a broken down city in a dystopian future in search of her father's guitar. But little did I know that I had no idea what I was really getting myself into. This movie is like if you took The Hunger Games and The Running Man (1987) and made them into a punk acid trip about fighting with the power of song instead of in an arena to the death. I know, wild right?                                  

    
    In full honesty, this movie is crazy. But that is exactly what it's meant to be. Not everything that is made these days is supposed to be an Oscar contender and that's okay. It's fine to have movies that are just entertaining and that is exactly what this movie is. Yeah it's crazy but it knows and fully embraces that. Yet I have seen many reviews criticizing this movie. Saying it's "all style and no substance" to claiming the "plot is all over the place" in that it never decided what it really wanted to be. While I can stand behind some of the nitpicking surrounding the plot, I must disagree with the rest. Yes this film is very visually stunning, but that does not take away from the story being told, it only enhances it. As for the plot, this movie knows exactly what it is: a musical romance about the power of love and the hope and light that music can bring into people's lives when they have all but given up in a dark and dreary world. And yes that kind of plot is going to inevitably create a cheesy, quirky, and sometimes all out odd film. But that does not make the film bad. On the contrary, if a plot like this is fully embraced within the story it only adds to the fun. Thankfully the one thing most people could agree on was the quality of the music, the key element to the film. 

    Thirteen original songs were composed and recorded for this film by Jason Binnick (Patti Cake$) and Geremy Jasper (Florence + The Machine: Dog Day Are Over (2010 version). Jasper also wrote the script for and directed the film. While Binnick and Jasper had worked together in the music department on previous projects, none of them had been quite like O'Dessa from the star-studded cast to the different styles of music interwoven throughout the film. From folk to rock to punk, they created songs for everybody. 

    While I will not be able to break down every song from the film, I will cover some of my favorites.This includes The Song (Love is All) and Ramblin' Down The Road. The first is a folk song about O'Dessa's destiny to save humanity through the music that flows through her veins and conveys the main message of the film: that there is NOTHING in this life is more powerful than love and the hope that music gives us to fight our way out of the darkness. Ramblin' Down The Road is another folk song O'Dessa sings on her way to the big city about following in the footsteps of her father and his father before him to bring hope to people with the music she sings by, you guessed it, ramblin' down the road.

    In order to avoid giving away anymore spoilers, I will tell you no more. Except to encourage you to check out this movie for yourself. If you are a fan of the power of music, The Hunger Games, Sadie Sink, or post-apocalyptic musicals then this movie is for you. Even if you don't like any of these things, I would still encourage you to watch this film because you just might be surprised. You never know, you might enjoy it. I know I did.